I'm finally winding this CCCC blogging thing up, getting around to Jeff Rice, Jenny Edbauer, and Geoffrey Sirc's panel. I know several of you who couldn't make it to the session have been waiting to read my notes, and I hope I don't disappoint. If I misunderstood anything the presenters said, I'm sure they'll leave comments here to correct me. :-) Jeff started out with his paper, titled "Writing Detroit." He made several intriguing connections, the first one being the rhetoric of the city's parallel with the rhetoric of digital culture. Both are fragmented (and composition studies dismisses "fragment" as error). City writing embraces fragments, the fragment as place, without resorting to representation, problematizing representation. Writing in digital culture usually means taking snippets of sound, images, text, etc. and remixing them to form something new. He brought in Nigel Thrift's concept of "everyday urbanism," remarking that few cities are as "urban" as Detroit. Jeff defined "pedagogy" as he was talking about it as "generalized teaching," not limited to classroom instruction in particular. He called for the discovery of place as rhetoric: writing the city, writing myth. When we write the city, we're writing our own ideologies, not mimicking or re-presenting the city. Jeff then went into a sustained example using the history of Detroit, especially Henry Ford and Eminem, which was really interesting. I couldn't possibly do justice to it here, but maybe Jeff will post something about it. Anyway, he pointed out that when students are asked to invent the university, they are also being asked to segregate themselves from the city. In city writing, rhetors are like flâneurs, and appropriation is the guiding principle. The assembly line, to use a Detroit metaphor, is like composition: the combination and juxtaposition of elements. Making appropriation the guiding principle encourages ambiguity, a "mood-based grammar," attitude and bravado in writing, a pose of boasting, like one Eminem or Henry Ford might assume. (Let me be careful here. I got the impression that Jeff was saying this kind of writing fosters confidence in students and discourages passivity and timidity in student writing, not that he was making some kind of claim for braggart-as-ideal-rhetor.) He closed by saying that in city writing, you articulate positions, not arguments; you re-invent, rather than re-present. Geography inscribes difference, and difference becomes reinscribed in geography. (I had that last sentence in my notes, but I forgot what the connection between it and the previous sentence was...)