Coming Attractions in Minneapolis
Last Saturday nights, some friends and I got together at Bryant-Lake Bowl in trendy uptown Minneapolis. I'd been to the place a couple of times before; it's a combination bar/restaurant/bowling alley/theater, and most of the plays and shows in the small venue are experimental, Fringe Festival-style performances. I once saw a performance of Mark Ehling's brilliant The Bath of Surprise and Other Failed Lectures, and as the actors delivered their monologues, I heard bowling balls thunder down the lanes and knock down pins. I'm curious about two that are coming up: Point Break LIVE! and Eat! A Karen Carpenter Buffet.
Of the two, Point Break LIVE! is the less expensive and more interesting-sounding:
Pinwheel Theatre presents the Midwest Premiere of the 100% pure
adrenaline, live theatrical adaptation of the 1991 Extreme-Sports
blockbuster, Point Break. The film has no less than 5 back-breaking action
sequences, and the play promises no less--including the 2 skydiving
battles. Come thrill to this one-of-a-kind theatrical experience that
features a new, unrehearsed Keanu Reeves pulled at random from the
audience just moments prior to each action-packed show!
I don't know if they'd pick a woman, but if so, I'd love to do it. Eat! might be fun, too; I'll admit to both liking Karen Carpenter and being curious about how far this show pushes the boundaries of decorum.
Equal parts musical revue, variety hour, and loving accolade to our
favorite 70's songbird, Karen Carpenter, this smash hit from the 2004
Minnesota Fringe Festival returns to the Bryant Lake Bowl in January! Join
Karen as she serves up your favorite songs, welcomes special guests, does
a cooking segment and invites you to sing along!
- Clancy's blog
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Comments
Point Break as a cult film
I'm intrigued that this film seems to have generated a following, at least to the point of recreating its scenes in live theater. I regularly use it as an example of the problem of endings, since the film has three different endings, each of them suggesting a different theme: it's a buddy film, until Gary Busey is shot at the airport; then it's a romance until Keanu's girlfriend parachutes over Mexico and is forgotten about; it's a "love your guru" movie when Keanu chases Patrick Swayze down in Australia only to let him surf out to sea to die as a surf warrior.
I've always imagined that they tested the endings on audiences and the audiences were evenly divided, so they said, "What the hell--we'll use all three endings."
I"d love to know what the theatre piece does with the endings.