Celebrity Lookalikes

All this talk about lookalikes has prompted me to look up pictures of that one celebrity people have told me all my life that I resemble: Hayley Mills. I generally agree with that one, especially in this photograph:

I could get bangs again, scrunch up my face that way, and someone could take a picture of me in that outfit, from that angle, superimpose it onto that photograph, and have almost an exact match. It's creepy.

Digital Scholarly Publishing: Beyond the Crisis

I might as well start my MLA panel-blogging with a report on my own session. It was titled "Digital Scholarly Publishing: Beyond the Crisis," and the other presenters were David Blakesley and Kristine Blair. Mary Hocks was also scheduled to present, but unfortunately she couldn't make it.

After Kris introduced us, I did my presentation. If you read my planning post, then you didn't miss anything. Still, I've attached my slides in .ppt format and in .sxi format for OpenOffice. I'd publish the whole thing here, but I generally don't present from scripts, and at the time I didn't think to open up Audacity and record the talk. Oh well. One point I think I made more clearly in the Q&A after my talk than in my post is that the MLA, CCCC, and several individual universities all have statements with guidelines for reviewing work with technology in the hiring, tenure, and promotion process. In every case, these documents support the scholars who work with technology and generally favor the legitimacy, or legitimation, of electronic publishing. Why, then, is it still so risky to do this work?

Dave talked about his work with The Writing Instructor, a print journal that has made the transition to electronic publishing. He had a handout, which I've copied in its entirety:

The Writing Instructor
Publishing since 1981 and now in its THIRD WAVE, TWI will feature...

  • Interactive and distributed peer review
    Peer review is conducted Slashdot style, with scholarly review teams and multi-tiered response and feedback
  • Born digital projects and printed archives
    Fostering hypertext and multimedia projects authored for the Web, TWI also remembers its heritage with print archives
  • Print-ready and distributable, with stable URLs, ready for dossiers and classrooms
    TWI articles can be made into elegant off-prints on the fly, by any user
  • Creative Commons licensing for easy dissemination
    New articles are published under the Creative Commons Attribution-ShareAlike 2.5 license
  • Open source and open access via Drupal and the DrupalJournal Project
    Taking open access to the next level, with no author subventions or fees, using open source content management; interested journals and editors may collaboratively develop a DrupalJournal release, customized for most journal functions
  • Community driven and authored content
    Wiki-style functionality, with version tracking, facilitates distributed editorial management and production
  • Integrated blogging and commenting, with RSS feeds, news aggregator, and daily notifications
    Content stays fresh and is distributed across the Web, inviting readers back and reaching out to new ones
  • Automated feeds to indexing services like ERIC
    Simplifies the process of submitting content to major indexing services, like ERIC
  • Web-based management of all editorial processes
    All editorial management, including author notifications, review tracking, and production are Web-based and accessible

This handout represents the bulk of his talk, but he also discussed some of the problems with electronic publication. What really caught my interest was his explanation of the prejudice that e-journals aren't peer reviewed at all or aren't referreed as rigorously as print journals. You might have noticed that most electronic journals have on their main page a link to a "Review Process" page which gives a detailed explanation of their peer review process (e.g. this one from Into the Blogosphere -- though, it should be said, ITB is an edited collection, not a journal. Everyone gets confused about that. It's a one-time thing -- an anthology.), intended for tenure files. Do assistant professors who are up for tenure have to give this kind of apologia for print publications? Anyway, Dave emphasized the importance of publishing not only a description of the review process, but also the acceptance rate. I agree.

Dave also talked about a new distribution of Drupal called DrupalJournal, which would offer features that would be desirable for journal editors. In the Q&A, John Holbo asked with great interest when DrupalJournal would be available. It must be a very new idea, because I combed the Drupal main page and didn't see any mention of it, though if you're curious to see what's in the works for Drupal in the coming year (or could be in the works), check out Dries' predictions and the ones at Drupal.org.

Finally, Dave mentioned the efforts of the people who run the WAC Clearinghouse. It's a great resource which all of you should look through if you get a chance. Parlor Press, which Dave runs, releases books online (whole books!) at the WAC Clearinghouse site.

Kris was the respondent, and she had a lot to say about multimodal literacy and how our publication models aren't connected well with our students' literate practices. She also spoke about her experience as the editor of Computers and Composition Online, mentioning that multimodal scholarly compositions still have some problems. Some of them, she said, are much flash, little substance, or much substance, little flash in the way of engagement with the media. Achieving a balance is still a problem.

After the presentation, there were some great questions posed by Amardeep, Scott, and others. Maybe they'll reiterate those here. Or maybe I will, a little later. Overall, I think the session went well.

First post of 2006

So, it's 2006. Know where I'm ringing in the New Year? Krystal. What can I say? I had to do some work that required the net, and where else can I get online? (My parents don't have access.) I've learned that the emoticon for a Krystal burger, which, for the uninitiated, is like a White Castle or a Sassy's Slider, is: (|]

Happy New Year, everyone! I look forward to a New Year's Day meal of black-eyed peas with hog jowl, rice, collard greens (for money in the new year), and cornbread. What's your traditional New Year's Day meal?

Also, those MLA posts are so totally coming. I just had other work to do first.

Random MLA Occurrences

  • That Kevin Spacey Guy. The first couple of days I was here, there was this guy who looked just like Kevin Spacey whom I was seeing everywhere. At the coffeeshop, at Chipotle, in the lobby of every hotel I entered. Then, suddenly, he was gone.
  • Fortune Cookie Messages. I have gotten Chinese take-out twice while here (from two different restaurants). The first fortune said, ":-) You have an active mind and a keen imagination. :-)" The second said, ":-) You are working hard. :-)"
  • Number of people who have recognized my picture from my blog and come up to me to say hi: 2. And one more, a lovely young woman with a great short pixie haircut who keeps looking at me with recognition but who I think is too shy to talk to me.
  • Number of light bulbs in my hotel room that have burned out since I checked in: 3.

Blogging MLA

Though it might be tricky as I'm interviewing, I'm still going to try to blog the sessions I attend. Try to. Tonight I'm thinking about attending these:


8. The Subject Matter of Composition

5:15-6:30 p.m. McKinley, Marriott

Program arranged by the Division on the Teaching of Writing. Presiding: Yolanda Sealey-Ruiz, Kingsborough Community College, City University of New York.

1. "Revising the Comp-Lit/Lit-Comp Debate," Deborah H. Holdstein, Northern Illinois University

2. "The Stakes in Not Staking a Claim: Why Composition Needs Its Own Content," Mary R. Boland, California State University, San Bernardino

3. "What's the Matter with Composition? Revision or Re-vision at the Two-Year College," Thomas Lawrence Long, Thomas Nelson Community College


35. English Studies and Political Literacy

7:00–8:45 p.m., Cotillion Ballroom North, Marriott

A forum

Presiding: Donald P. Lazere, University of Tennessee, Knoxville

1. “How Can Americans under Forty Be Tuned Back In to Following the News?” David T. Z. Mindich, Saint Michael’s College

2. “Student Conservatism and Political Literacy,” Adolph L. Reed, Jr., University of Pennsylvania

3. “Political Literacy in Rhetoric and Composition Studies,” Patricia Roberts-Miller, University of Texas, Austin

4. “Reading and Political Literacy at Risk in Young Americans,” Mark Bauerlein, Emory University

5. “Learning Political Literacy through Chicago’s Public Schools: What’s College Funding Got to Do with It?” Kenneth W. Warren, University of Chicago


Other than that, blogging will be nonexistent or light until around January 3.

I'm more conservative on the following topics than you'd expect

  1. The spelling of the word "doughnut." Ever since I was a child, I've disliked the "donut" spelling. It reeks of sloth, as if one can't be bothered to write or type the letters "ugh." Plus, they're made of dough, not "do." Yeah, I know they're not made of nuts. Shut up.
  2. Split infinitives. It's a real stumbling block for me to read "to more effectively serve" or "to clearly write." Less obvious infinitives don't bother me; it's mostly the "to [adverb] [verb]" construction that I find distracting.
  3. The use of "at" as the last word in a sentence. "Where are you at?" -- or worse, the dreaded "Yeah, so that's where I'm at in my research." Apologies, everyone. It's nothing personal; one of the customs of Festivus is the airing of grievances, and these are mine.
  4. Rules associated with clothing and seasons. NEVER wear white after Labor Day -- which means no white belts, shoes, or purses, but other white clothing items are okay. Never mix black and navy blue. Never wear black pantyhose and white shoes. My Old South conservatism in this regard made it extra hard to pick out suits recently; if any suit was even a little too light-colored, I couldn't bring myself to try it on.
  5. Unnecessary use of profanity in the classroom. As a student, I was always kind of disappointed when my teachers dropped the f-, etc. bombs in class, so I don't do it (but it's fine with me if students do). I know plenty of teachers who can make it work, but it's not my style.
  6. The use of "Ye Olde." This only became annoying after I read Tari Fanderclai's rant some years back.

Birth Stories

Introduction, by Clancy Ratliff

For a long time, I've been reading birth stories, both online and in print. I was enchanted with Anita Diamant's The Red Tent, especially the birth of Leah's first child, Reuben; Leah gives birth roaring, standing up, with women all around her supporting her legs, not letting her fall. Anthropologist Robbie Davis-Floyd (1998) interweaves her birth story with reflections on reproductive technologies and the "cyborgification of birth." The birth story has become more significant in recent years, with feminism's advocacy on behalf of the birthing woman. A common argument is that as reproductive technologies have gotten more sophisticated -- and, as some would argue, more invasive -- the woman's control over her own birthing experience has eroded. The laboring body is pathologized, "out of control," something that must be "managed" (See Schuster). In response to the "medical model" of birth, many women who have the financial resources to do so have sought the services of midwives.

In putting together these essays, I had considered breaking them up into sections, with stories of c-sections, drug-free births, etc., but I decided against it. To represent these stories in categories according to the presence or absence of medical technology simply repeats the erasure of the woman from the birth. It insultingly reduces the richness of these stories to what is really ancillary. I thought about the reasons I read and appreciate birth stories: the eloquence, the humor, the visceral honesty, the bravery in the face of immense pain, the powerful emotion. The choral similarities (the "ring of fire," for example). The fact that they are passionately feminist stories. The fact that these women wrote it down. So I decided to include the titles, authors' names, and a snippet of each story that will make you see why I enjoyed reading it and want to read it yourself.


Birthing Arden, by Jodi Egerton

For a long time in the middle of active labor, I was in a wild, amazing, euphoric, ecstatic high. In between contractions I'd remark on the beautiful music playing (Lanell had these lovely soothing cds with her), how much I loved turkey sandwiches, how delicious that massage lotion smelled...I looked up at Owen and Lanell between one contraction and just gushed 'you both look soooo pretty!'


Anya's Birth Story, by Sarah

This entire pregnancy, I’ve been nursing a fantasy of giving birth in the middle of a snowstorm with the fire roaring in the wood burning stove.


NikkiZ's Birth Story: Attack of the Giant Uterus, by Miss Zoot

Dr. SoNice was telling me that he was drawing a line for my incision. The weird doctor tried to joke and say 'He'll initial it too!' but Dr. SoNice immediately said, 'No I Won't.' Evidently Dr. SoNice is of the opinion that during an emergency surgery, joking is NOT the best way to console the patient. And in reality? I agreed.


A Labor Story, by Heather Armstrong (Dooce)

I order the Pregnant Pizza which really isn’t a pizza but a 144 square inch orgasm of garlic.


It's Jackson's first birthday today. Woo! by Fussy

5:40 p.m. Jack whips up a delightful little creamy pasta vegetable dish. I take one look at it and tell him there's no way in hell I'm going to eat that. He goes back to the kitchen and blends a bunch of fruit and dairy products and calls it a smoothie. I have a sip and push it away. Jack sits next to me and puts his arm around me. I tell him to quit looking at me.


Birth Story 4.0, by Mara

The baby's head was not coming down straight to apply any pressure to my cervix, so she manipulated a bit so it would, and recommended walking, and if contractions started up again, doing all we could to intensify the contractions, not backing down or seeking comfort. Which seemed like a fine idea, except that there were no contractions. So when she left, Raven resumed some work phone calls, I loaded Søren in the stroller and went for a walk. And within half a block found my knuckles were white on the stroller.


Duncan's birth story, by Silandara

I ended up on my back, with the nurse holding one leg, Kevin holding the other, I think. I had to grab onto my thighs and curl up my chin and bear down with each contraction.


Birth Story, Part One and Part Deux, by Tracitalynne.

At one point she was, uh, poised at the opening, and it felt like the world’s biggest poop moved forward a bit.


Ainsley's Birth Story, by Mommy with some help from Daddy

At one point, I apparently asked them to just 'suck the baby out' of me, and I also sassed Alison when she asked for 'one more push' - 'I already DID one more!'


Birth Story, by jmoon

Tom later equated my feelings to having jumped off a cliff, and knowing you were going to hit the ground, but being unable to stop it. This analogy seems very apt.


My First Baby, by Strange Quark

I pushed for 2.5 hours and finally Jasper was born. His hand was on top of his head, and so his head and body came out with one last exhilarating push. Just like superman.


Baby Born, by Fabmujer

For some reason part of a Cesarean birth is being strapped like Jesus...arms and legs taped down to a bed with arm rests which resemble a cross.


My birth story...may be sad to read, by Sabra Girl

Eventually after 2 other dopplers, 2 ultrasounds, a fetal scalp heart monitor, and my dr and midwife checking everything, they told us they couldn't find a heartbeat.


The birth story, by llyncilla

I’ve learned what not to do, what to do differently next time, and I just need expiation. I have a few demons that need two dimensional-izing, to be pulled apart and rewoven into a quiet little story, a story like a grave.


And So I Choose, by Allison Crews

There was no way I could handle the pain and horror of childbirth alone, in my bedroom and sanctuary, as I wished to do. I needed a man, trained to care for women, (who are inherently capable of caring for themselves), to see me through my labor. I needed to be monitored, strapped to a bed, cleaned from the inside, shaven smooth and knocked out cold. I was a little girl and delivering babies is a man's job.


Birth Story--Jiro Coltrane, by Stacey Greenberg

'Fill the birthing tub!' I commanded.


Baby Moon Essays: 1 : The Birth, by Lone Star Ma

Then I was pushing that wet, fat baby out…which didn’t burn at all, it was literally the best sensation of my entire life!


*NOTE: I know it's a little weird to have "Introduction, by Clancy Ratliff" at the beginning, but I'm thinking of this as not just a link-roundup type of post, but more formal, like an anthology. I hope to see others start creating these, perhaps as online course packs for classes, but it might be a neat assignment for students to do too. I see this as different from a carnival in that it's a one-time thing and not a serial; plus, there's my introduction at the beginning that explains my reasons for doing this project.

December Carnivals

New Kid, who has really outdone herself, has raised the bar for the Teaching Carnival, with the most comprehensive one yet. [NOTE: I see that all of New Kid's archives from December 10 to the present are gone all of a sudden. I'll leave the link up in the hope that the post will come back. UPDATE: This has happened at all TypePad sites. What we're seeing now at places like Frogs and Ravens, 2 Board Alley, and New Kid's blog are backup copies.]

The Happy Feminist is hosting the December Feminist Carnival, which features lots of topics such as sex, the arts, women's political representation, and women's work.

By the way, this is my 999th post. Does anyone want to suggest a topic for my 1000th? If not, it'll probably be my library story.

Edited to add, as long as I'm linking to stuff, a link to Composition Forum, which recently went from print to online with some (a lot of!) help from Bradley Dilger.

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