I'm a slowpoke...I'm finally getting one of those social bookmarking sites.

In looking through the Wikimedia Commons, I found a couple of cool collections of images: 18th Century Fashion (might use that image on the left as my new CultureCat image when I do the upgrade to Drupal 4.6 and accompanying redesign, do the whole thing in black and white), the collection of Louis Riel's family photographs, and the Edward S. Curtis collection. All these images are either copyleft or public domain.

I've been consuming a lot of starchy fruits and vegetables lately. Today, for example, I've had two bananas, two Pink Lady apples, a baked potato, and a ton of steamed sugar snap peas. I have one more apple, one more potato, and three more bananas left, and I'm eyeing them artfully. What's the matter with me? What sort of vitamin or mineral deficiency could possibly account for this?

On an unrelated note, I'm sorry to say I didn't play an April fool's prank on my students. Instead, I just told them about two pranks I was thinking about playing on them, but was too lazy to follow through. You know that Internet Anagram Server? I was thinking about putting all the students' names through it, coming up with choice anagrams, and creating a roll sheet with the anagrams instead of their names. After I decided it would be too much trouble to do that with forty-one students' names, I was going to rummage through some of the CDs I have in my office and select one they might find really annoying, perhaps something by Enya, bring it into the classroom along with a CD player, and be all deadpan (like I'd be able to do that) and say, "Okay, everyone, we're going to listen to Enya's 'Orinoco Flow (Sail Away).' And as you listen to it, think about what Enya's purpose is. What is she trying to do rhetorically?"

Yeah...laziness probably served me well in this case.

For those interested, a new issue of Meow Power just came out. The theme is "The Academy, Writing and Gender."

I'm really excited about -- and plan to blog -- this conference, the Daily's announcement of which one of my students pointed out to me (thanks, if you're reading this!).

I would like to be rockin' out to L7's "Pretend We're Dead" right now, only I don't have it. If one of you has it, would you mind sending it? It worked for Meg Hourihan (yeah, I remember the most random things); maybe it will work for me as well.

UPDATE: Got it now. Thanks be to the benefactor.

Placing equality and difference in antithetical relationship has, then, a double effect. It denies the way in which difference has long figured in political notions of equality and it suggests that sameness is the only ground on which equality can be claimed. It thus puts feminists in an impossible position, for as long as we argue within the terms of discourse set up by this opposition we grant the current conservative premise that since women cannot be identical to men in all respects, they cannot expect to be equal to them. The only alternative, it seems to me, is to refuse to oppose equality to difference and insist continually on differences -- differences as the condition of individual and collective identities, differences as the constant challenge to the fixing of those identities, history as the repeated illustration of the play of differences, differences as the very meaning of equality itself.

Joan W. Scott, Gender and the Politics of History, Revised Edition, 1999, p. 174-175.

Here's another take on the underrepresentation of women in op-ed positions. Sterrett says, "There are more male columnists than female columnists, just as there are more straight columnists than gay columnists, and more white columnists than black columnists." Yes, and ideally I'd like to see more African American, gay, lesbian, and working-class columnists. Not because it would be all PC and everything, but because just maybe it would be good to get a variety of perspectives on current events and issues. One's social location informs (doesn't determine, but does inform) one's perspective. Standpoint theorists didn't get it all wrong. Sterrett then writes, "Where [Susan] Estrich is wrong is in assuming that bare stats directly relate to an individual writer’s ability to inspire change." Okay...but then:

Consider the Newspaper of Record, every Republican’s favorite news organization. They have five regular males on Op-Ed (kind of), and one female. It’s Brooks, Friedman, Herbert, Kristof, and Krugman, versus Maureen Dowd. The reason that’s not as bad as it seems is that Dowd, the only woman, has all the power.

Ask anyone who regularly reads the Times’ op-ed page what Bob Herbert’s last column was about. A clever response would be “Iraq,” since that’s mainly what he busies himself with, but no one actually knows. Does Bob Herbert even remember? He’s a fine writer—despite having the foreign-policy IQ of a tubeworm—but his work is regrettably forgettable. Same goes for all the others, even the sole conservative, David Brooks.

Dowd is the only one that matters. That’s not to say that the others are completely without merit, but clearly she’s the star writer. She may be but a small slice of the Times’ sweet, maudlin, left-wing pie, but she’s what everyone’s waiting for.

It’s not enough to look at the statistical evidence. Percentages are good for grading tests, but rather ineffective when determining the place of women in editorializing. There are more men than women writing op-eds, but women are certainly equal to men in terms of prominence. Just ask Bob Herbert.

So one woman is okay, if she's a queen bee? Or "token," as Prof. B. said? In fact, just read her post, it's a lot better than this one.

BUST is my favorite magazine for many reasons, but they've just given me another one: an interview with Sweet Valley High creator Francine Pascal in the Apr/May 2005 issue. As many of you know, I've been into such books for a long time. The interview isn't that great, but here are the high points:

1. When asked whether or not she is a feminist, Pascal responds with an emphatic yes.
2. When asked if she feels she's affected her readers, she says, "I think I have. I think I've hit them when they're at their most idealistic moment and I've given them the classic values I believe in: honor, caring, responsibility, love, truth, courage. All those beautiful things. I hope that they'll aspire to them."

And here's the best one:

3. Pascal is coming out with a new novel, Sweet Valley Heights, slated for publication in late 2005, which "will revisit all the familiar characters, now in their late 20s and early 30s and living in a gated community, and Francine promises it will be outrageous."

Will I read this book? OH yes. I can't wait.